Stereoscope ‚Patent Dioramic Stereoscope‘ on Stand
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The first ‘Brewster’ stereoscopes were made by the optician George Lowdon, of Dundee, at some point in 1849–50. We know this from Brewster, and from Lowdon too. If we are to believe Lowdon’s Reminiscences, he started his career as a maker of scientific instruments in May 1849, met George, ninth Lord Kinnaird, at the end of the same year and, through him, was introduced to Sir David Brewster. This means that he cannot have started making stereoscopes before the end of 1849, after Brewster read his paper and most probably after the Birmingham meeting of the British Association for the Advancement of Science. We know from Lowdon that he “got the making of the first one and the sending of copies of it to many scientific men all over Europe.” Lowdon cannot have made a great quantity of these early stereoscopes, because he and Brewster soon fell out over a suggested improvement. And since none of them seems to have survived, we do not know what they looked like.
“The fault of Brewster’s stereoscope,” Lowdon writes in his Reminiscences, “was that the lenses were too small, being, in fact, only the two halves of a spectacle glass. This did not suit every eye, and in experimenting I discovered that larger lenses were an advantage. I pointed this out to Sir David, but he was wedded to his own opinion, and as I feared the idea, might be taken up by another, I took out a patent for my improvement – which experience has since amply justified – but my action was, unfortunately, resented by Sir David, and gave rise to considerable friction, for which I did not consider I was to blame, seeing I had pointed out the improvement, and he had refused it.”
Brewster and Lowdon having parted company, Brewster was left without a maker for his stereoscope. He apparently tried to get London and Birmingham opticians interested but to no avail. It is not clear whether he contacted those opticians before or after he met Lowdon, but we think it might have been before, which would explain why he entrusted the making of his instrument to a beginner in the trade.
(from: Pellerin. Stereoscopy, The Dawn of 3‑D. London, 2021, pp. 53–54)
