Tray-Stereoscope ‚Nouveau Stéréoscope‘

Details

This unusu­al­ly elab­o­rate exam­ple of Mack­en­stein’s Nou­veau Stéréo­scope, intro­duced in 1911, was prob­a­bly made dur­ing the ear­ly years of the mod­el. The cab­i­net is fin­ished in high­ly fig­ured bird’s-eye maple veneer and dif­fers in sev­er­al details from the more stan­dard­ized ver­sions pro­duced lat­er. Among these is a spring mech­a­nism that auto­mat­i­cal­ly push­es the front cov­er for­ward when released, facil­i­tat­ing access to the inter­change­able trays.
Each tray holds 25 glass stere­oviews. Turn­ing the side crank rais­es the select­ed slide from the tray into view­ing posi­tion; con­tin­ued rota­tion low­ers it again and advances the tray to the next image. A sep­a­rate con­trol allows the tray to be moved rapid­ly for­ward or back­ward to select a par­tic­u­lar view. Focus and inte­roc­u­lar dis­tance can be adjust­ed at the eyepieces.
In adver­tise­ments, Mack­en­stein active­ly pro­mot­ed direct con­tact with cus­tomers and repeat­ed­ly invit­ed prospec­tive buy­ers in his adver­tise­ments to vis­it his Paris premis­es and try his stereo­scop­ic equip­ment before mak­ing a pur­chase. This par­tic­u­lar stere­o­scope may orig­i­nal­ly have served as a demon­stra­tion mod­el in Mack­en­stein’s Paris salesroom. An unusu­al­ly promi­nent set of oper­at­ing instruc­tions is per­ma­nent­ly mount­ed on the front of the low­er cab­i­net, explain­ing how to advance the views, select a par­tic­u­lar image and return to the first view. In addi­tion, the brass mech­a­nism inside the stere­o­scope is com­plete­ly lac­quered, pro­tect­ing it against oxi­da­tion and wear. Togeth­er with the excep­tion­al­ly lux­u­ri­ous fin­ish in high­ly fig­ured bird’s-eye maple veneer, these fea­tures sug­gest an appa­ra­tus intend­ed for repeat­ed demon­stra­tion rather than an ordi­nary domes­tic example.

Historical Context

Her­mann Mack­en­stein was a Ger­man-born pho­to­graph­ic man­u­fac­tur­er who estab­lished his busi­ness in Paris in 1872. Orig­i­nal­ly trained as a car­pen­ter, he ini­tial­ly pro­duced wood­en com­po­nents for pho­to­graph­ic equip­ment before devel­op­ing his own cam­eras. By the turn of the cen­tu­ry, Mack­en­stein had become an estab­lished Parisian man­u­fac­tur­er of cam­eras, acces­sories and pre­ci­sion pho­to­graph­ic equipment.
In 1902, the busi­ness was reor­ga­nized as Étab­lisse­ments Mack­en­stein. The First World War severe­ly affect­ed the com­pa­ny. Mack­en­stein’s prop­er­ty was sequestered in 1915 because of his Ger­man ori­gins, and he was expelled from France the fol­low­ing year. He returned to Paris in 1922 and died in 1924. The busi­ness was sub­se­quent­ly con­tin­ued by his for­mer employ­ees Hen­ri Suf­fize and Léon Molitor.

Fur­ther read­ing: Stere­oscopy His­to­ry Series — Mack­en­stein (A. Ruiter)

Date Made

c. 1911

Place Made

Period

Manufacturer

Format

Medium

Addi­tion­al infor­ma­tion or cor­rec­tions are very wel­come. Please send an e‑mail to mail@stereoscopicmuseum.org.