Stereoscopic Catalogue and Price List ‚Neuester Preis-Courant‘

Details

This unusu­al­ly ear­ly Ger­man adver­tis­ing broad­side Neuester Preis-Courant, print­ed in Mainz by Carl Heller­mann for Hen­ry Dessort, presents an exten­sive range of stereo­scop­ic pho­tographs and view­ing appa­ra­tus for 1861. Mea­sur­ing 44x27cm, the sin­gle-sheet price list was intend­ed for both retail and whole­sale cus­tomers and adver­tised what Dessort called the largest stock of its kind in Germany.
Most of the sheet is devot­ed to stereo­scop­ic pho­tographs. The sub­jects range across Europe and far beyond, includ­ing Paris, Switzer­land, Italy, Spain, Rus­sia, Pales­tine, India, Chi­na, Brazil and the Unit­ed States. Views of Nia­gara Falls, New York and oth­er well-known sites appear along­side por­traits, genre scenes, coloured pho­tographs and trans­paren­cies. A par­tic­u­lar­ly large selec­tion of glass stere­oviews was also offered.
The low­er part lists a wide vari­ety of view­ing appa­ra­tus, from sim­ple stere­o­scopes and fold­ing pock­et mod­els to dio­ra­ma stere­o­scopes and mechan­i­cal­ly oper­at­ed devices capa­ble of pre­sent­ing mul­ti­ple images. Prices ranged from inex­pen­sive indi­vid­ual views to elab­o­rate appa­ra­tus cost­ing many guilders. Mail-order sales were avail­able, with goods dis­patched against advance pay­ment or cash on deliv­ery with­in the Ger­man Cus­toms Union.
Dat­ing from the first decade of stere­oscopy­’s rapid com­mer­cial expan­sion, the broad­side is an unusu­al­ly detailed source for the ear­ly stereo­scop­ic trade. It doc­u­ments not only the remark­able geo­graph­i­cal range of images already avail­able, but also the vari­ety of view­ing devices and the increas­ing­ly sophis­ti­cat­ed dis­tri­b­u­tion of stereo­scop­ic pho­tographs by the begin­ning of the 1860s.

Historical Context

Hen­ry Dessort had already worked for many years as an exhi­bi­tion pro­pri­etor before enter­ing the stereo­scop­ic trade. Finnish posters doc­u­ment Hen­ri Dessort with cir­cus and gym­nas­tic per­for­mances in 1844. By the ear­ly 1850s his pro­gramme had expand­ed to large-scale visu­al attrac­tions includ­ing panora­mas, cyclo­ramas and the Ple­o­ra­ma, in which mov­ing paint­ed scenery cre­at­ed the illu­sion of trav­el­ling through dis­tant land­scapes. Berlin news­pa­per adver­tise­ments from 1854 show that he pre­sent­ed these opti­cal attrac­tions along­side an anatom­i­cal and eth­no­log­i­cal museum.
By 1860 Dessort was oper­at­ing a Ple­o­ra­ma near the Heumarkt in Cologne, report­ed­ly in a build­ing erect­ed specif­i­cal­ly for the attrac­tion. Adver­tise­ments in the Köl­nis­che Zeitung also announce his Stéréo­scope mon­stre, indi­cat­ing that stere­oscopy had become part of his exhi­bi­tion activ­i­ty as well as a com­mer­cial prod­uct. His 1861 price list, with its ref­er­ence to 1,000 exhib­it­ed glass stere­oviews, may there­fore reflect a close con­nec­tion between pub­lic stereo­scop­ic dis­play and the sale of pho­tographs for pri­vate viewing.
Dessort also had strong con­nec­tions with Elber­feld, today part of Wup­per­tal, where numer­ous adver­tise­ments for his stereo­scop­ic busi­ness appeared in 1860 and 1861. Records held by the Lan­desarchiv Nor­drhein-West­falen pro­vide a prob­a­ble glimpse of his pri­vate life: a Hein­rich Dessort, described as a direc­tor and born in Berlin, is record­ed togeth­er with Wil­helmine Dessort, née Tro­jahn, and two daugh­ters born in Elber­feld in 1856 and 1857. The fam­i­ly emi­grat­ed to Switzer­land in 1870. Although defin­i­tive proof is still lack­ing, the unusu­al name, pro­fes­sion, places and chronol­o­gy make the iden­ti­fi­ca­tion of this Hein­rich Dessort with the show­man and deal­er Henri/Henry Dessort high­ly probable.

Date Made

1861

Place Made

Period

Editor

Dessort, Hein­rich

Printer

Heller­mann, Carl
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